A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Hands hold a sculpture by Sonya Bogdanova

Sonya Bogdanova

Lecturer

Bio

Bogdanova is a Russian-Jewish immigrant who came to the US after the collapse of the USSR. Based in Chicago, she has shown in the US, UK, and South Korea. Selected exhibitions include the Chicago Cultural Center, Mana Contemporary (Chicago), Ignition Projects (Chicago), No Nation Tangential Unspace Art Lab (Chicago), Random Access Gallery (Syracuse, NY), Gallery 400 (Chicago), and Czong Institute for Contemporary Art (Gimpo, South Korea). She has been an artist-in-residence at Holly & the Neighbors and Jiwar Foundation in Barcelona. Bogdanova holds an MFA from the University of Illinois at Chicago and BFA from the School of the Art Institute of Chicago. She teaches widely throughout Chicago.

Courses

Title Department Catalog Term

Description

This course provides an introduction to clay as a material. Participants will be introduced to a wide variety of methods and techniques to build, decorate, and glaze ceramic. Demonstrations in Hand-building, coiling, slap-building and surface application including glaze development and application, slip decoration and firing methods, will give students a proficiency in working with clay and in the ceramic department. Introductions to the rich and complex history of ceramic through readings, lectures and museum visits, will provide students with exposures to the critical discourse of contemporary ceramic. This is primarily a beginner's course but open to all levels of students. Readings will vary but typically include, Hands in Clay by Charlotte Speight and John Toki. Vitamin C: Clay and Ceramic in Contemporary Art by Clare Lilley. Ten thousand years of pottery by Emmanuel Cooper. 20th Century Ceramics By Edmund de Waal. Live Form: Women, Ceramics, and Community by Jenni Sorkin. The course will look at artist like Magdalene Odundo, George E. Ohr, Shoji Hamada, Roberto Lugo and Nicole Cherubini as well as historic ceramic from the Art Institutes of Chicago?s collection. Students are expected to complete 3 projects by the end of the semester, Biweekly readings will be part of the course.

Class Number

1111

Credits

3

Description

This course is a concentrated examination of ceramic construction and firing processes, clay and glaze materials, and use of equipment to produce ceramic sculpture. This is essential as a fast track entry into competent and independent use of the department for students new to ceramics. Students broaden their skills and gain a more thorough understanding of material characteristics and processes, develop their firing skills, and participate in a dialogue about theory and content specific to ceramic sculpture. The course format includes weekly demonstrations and lectures while developing a body of personal work utilizing ceramic technology. It is required that this, or another Materials and Processes course is taken before or concurrently with any other ceramics course.

Class Number

2026

Credits

3

Description

This course is a concentrated examination of ceramic construction and firing processes, clay and glaze materials, and use of equipment to produce ceramic sculpture. This is essential as a fast track entry into competent and independent use of the department for students new to ceramics. Students broaden their skills and gain a more thorough understanding of material characteristics and processes, develop their firing skills, and participate in a dialogue about theory and content specific to ceramic sculpture. The course format includes weekly demonstrations and lectures while developing a body of personal work utilizing ceramic technology. It is required that this, or another Materials and Processes course is taken before or concurrently with any other ceramics course.

Class Number

2203

Credits

3